LISTEN TO BOOMTOWN RADIO! “ALL the Music That Matters for the Generation That Created Rock 'n' Roll”

Rock & Roll’s Greatest Hits – All Day! Every Day!

Welcome to Boomtown America

Like What You Hear? Share It With a Friend!

This is a music mix like nothing you’ve even heard (unless you’ve been here before). It’s created by radio professionals who went beyond the “oldies” mentality to provide a blend of the best music from the dawn of rock & roll right though today. You’ll hear greatest hits as well as some gems you might never have heard before from the biggest rock stars of all time.

Give our unique music blend just 60 minutes, we know you’ll be hooked because if you’ve been looking for Rock & Roll Heaven – you’ve found it!

  • This Day in Rock History – July 8th

    1954: Elvis Presley is played on the radio for the very first time when DJ Dewey Phillips of his home town radio station WHBQ, plays the future king’s first single, “That’s Alright, Mama.” Response is so positive, Phillips will play it 14 more times on that same show.

LATEST POSTS

 We're all about the history of rock & roll at BoomtownAmerica.com!

Every week, we present “ROCK REMEMBERED,” a deep dive into the hidden history of rock & roll, the stories behind the artists and songs that changed the world. Join host, “Boomtown Bill” Cross each Wednesday at 7 pm (Eastern) with an encore broadcast on Saturday at noon (Eastern).

Join us today as we reveal "The History of Psychedelic Rock!"

  

If every girl you knew in college back in the day had a copy of Simon & Garfunkel’s Parsley, Sage, Rosemary & Thyme, every guy probably had a copy of this album, Led Zeppelin’s self-titled debut LP.

When the Yardbirds disbanded in 1968, somehow Jimmy Page (a late arrival in the band’s ever-shifting line-up) wound up with rights to the name and an obligation to honor some Yardbird concert dates in Scandinavia still on the books. Page recruited fellow session musician John Paul Jones on the bass, added Robert Plant as vocalist when Page’s original choice, Terry Reid, turned him down and finished off with John Bonham on drums.

The group honored those concert dates as “The New Yardbirds,” playing a mix of Yardbirds songs as well as working up some new material. Returning to London in the fall of 1968, the lads decided to carry on as a group, but with a new name. Legend has it that, at one time, Page, Jeff Beck, Keith Moon and John Entwistle considered forming a rock band. Moon remarked that the group would go over like a lead balloon. “More like a lead zeppelin,” added Entwistle. So, Page thought the name would suit their new effort.

Lacking a recording contract, the group took the then-unheard of step of recoding their first album on their own. Studio time was paid for by Page himself and the group’s manager, Peter Grant. That meant two things: 1.) the band could record exactly what they liked with no interference from a record label and 2.) they needed to record it quickly because they were paying for the studio time out of their own pocket.

The album we know as Led Zeppelin was recorded quickly, in about 36 hours over just a couple of weeks. Page served as producer while bringing in his childhood mate, Glyn Johns, to serve as engineer. Most of the songs were actually recorded live with the band playing as one in the studio. Fortunately, the group had worked out most of the album’s songs while touring as the New Yardbirds and we’re already fairly tight as an ensemble.

With the completed album tucked under his arm, manager Grant had little trouble attracting label interest, signing Led Zeppelin to Atlantic Records fairly quickly. Their debut disc was released in the States in January of 1969 and in their native UK in March of the same year. Surprisingly, the initial reviews for the record were not good. Rolling Stone remarked that the LP had “little that its twin, the Jeff Beck Group, didn't say as well or better three months ago.” Several other rock publications offered equally lackluster reviews.

However, the disc quickly became a smash on the then-emerging genre of “progressive rock” radio stations with virtually all of the album’s track getting substantial airplay. Grant also made the shrewd decision to bringing the boys to America almost immediately where their bombastic, exciting stage show generated sensational word of mouth.

Now, of course, the album is correctly lauded as a classic. It pioneered the smash-up of hard rock with traditional blues that came to dominate the music scene as we moved out of the 60s into the 70s. The group is also credited with pioneering the genre of rock that has come to be known as heavy metal, although their status as one of rock’s most popular acts meant Led Zeppelin has really transcended genre labels.

Led Zeppelin consistently makes those lists of the “Greatest Rock Albums” of all time and has been reissued (often with outtakes and other material added) mulitple times over the years.

Mousketeer Roll Call: Darlene Gillespie

The story of Darlene Gillespie is not one that would lend itself to a Disney movie.

She was the daughter of a Canadian song and dance team. In 1943, her parents relocated to the Los Angeles area when Darlene was just two and began grooming her for a career in show business. By 1955, she was already an accomplished singer and dancer. She passed her audition for The Mickey Mouse Club and became one of the core cast members who stayed with the show during its entire first run.

What we at home never knew is that she was involved in an intense backstage rivalry with Annette Funicello. Dueling sets of stage parents put their friends and relatives up to flooding the Disney studio with fan mail for each of the respective girls. While Darlene did get to star in one of the Mousketeer serials (“Corky & White Shadow”) and play a major part in the second “Spin & Marty” serial, as the show progressed (along with Annette’s bustline), it became obvious who was the top Mousketeer.

Gillespie did cut a couple of albums for Disney, just like Funicello, but they didn’t receive the push from Disney’s marketing arm that Annette got.

When The Mouse Club ceased production, Disney kept Annette under contract, but Darlene had to go her own way. Her acting career quickly fizzled. Over the years, she made a few stabs at re-launching a singing career, but nothing really came of those.

Darlene worked for many years as a nurse and, in fact, greatly assisted her fellow Mousketeer Karen Pendleton when Karen had the car accident that left her paralyzed from the waist down.

Sadly, her last bit of notoriety came in 1998 when she was arrested in a securities fraud scheme that she cooked up with her husband. Darlene was sentenced to two years in prison, but wound up only doing 3 months. In 2005, she and her husband were back in court on charges of fraud. Those charges were eventually dropped. The husband who landed her in the slammer passed away in 2008.

Darlene is still with us, living in relative anonymity having finally reached a financial settlement with the Disney Company after a years-long battle over royalties she claimed she was owed for her work on that TV show. Sadly, that protracted legal battle led to an estrangement with the rest of the surviving Mousketeers.

When Coca-Cola came out of this?

 

Never could figure oit what went on in the big box.